This lithograph has been produced to accompagny the «Objet Impossible» exhibition at Hangar 107. On this occasion Thomas Canto and Rero presented a brand new body of work, including installations.
RERO’s work, while instantly recognizable from his distinctive visual style, contains within it an inherent fluidity as he explores myriad social concepts, from technology and consumerism to language and obsolescence. He continually stretches the boundaries of his artistic mediums, often choosing to forego traditional surfaces on which to plant his minimalist statements. RERO’s text, always in the same Verdana font and stripped of any flourish beyond a bold strike-through line, become embedded within the medium, acting as a literal and material addition while simultaneously a marker for deconstruction.